GEORGE GROSZ. "ACH, KNALLIGE WELT,GEORGE GROSZ. "ACH, KNALLIGE WELT, DU SELIGES ABNORMITäTENKABINETT," OFFSET PHOTOLITHOGRAPH (German, 1893-1958). Offset photolithograph, 1921, plate XIV from Ecce Homo, sight size: 12 x 9 in., framed.
George Grosz (German 1893-1959)George Grosz (German 1893-1959) Spartacus Before the Court of Justice ink on paper signed Grosz (upper right) 16 x 12 inches.
GROSS Chaim (Austrian/AmericanGROSS Chaim (Austrian/American 1904-1991): 3 Circus Dancers Watercolor sight size 5 1/2'' x 10'' signed dated '52 lower right black frame with wear 10 1/4'' x 14 1/2''.
George Grosz (German/American,George Grosz (German/American, 1893-1959), Autographed Copy of 30 Drawings & Watercolors, New York: Erich S. Hermann, 1944, large quarto, spiral-bound boards, thirty plates, with an introduction by Walter Mehring, inscribed and autographed on the frontispiece by the artist, accompanied by a holiday card illustrated with an image from the text, "Act Study", plate 15. Provenance: The library of the late Gordon Maginnis, New Orleans, Louisiana. Berlin-born George Ehrenfried Grosz spent his childhood in Pomerania, the architecture of which figured in his early drawings. He was educated at the Royal Academy in Dresden and later the Berlin Art School under the tutelage of Emil Orlik. He lived in Paris for a few months in 1913, where he first began to produce the distinctive street and cafe scenes for which he would later become famous. Exempted as unfit for service after a brief and disillusioning stint in the army, he worked as an illustrator in Germany in the late teens and twenties, where he was quickly recognized as a shrewd satirist and caricaturist--avant-garde but accessable--and leader of the Berlin Dada. His flirtations with Communism (he knew both Lenin and Trotsky) were soon replaced by the complete disdain for dictatorial authority so evident in the drawings of his peak period. His work was denounced by both the reactionary elements of the Weimar Republic and the emergent National Socialists; he stood trial for his works "Gott mit uns" (1921), "Ecce Homo" (1923) and "Hintergrund" (1928), for, respectively, slander of the army, offense against morality and blasphemy. He taught as a guest professor at the New York Art Student's League in 1932 and returned there permanently the following year, expatriated by the Nazis; 285 works by him were removed from German museums in 1937, some of which formed part of the infamous "Degenerate Art" exhibit. Grosz taught and worked in the United States throughout World War II, vowing to return to his native Berlin; he did so in 1959 but died tragically the same year in a drunken fall down a flight of stairs. This famous edition of Grosz' works contains fine examples of his art, from the wry caricatures of society doyens which infuriated the old guard and amused the new, to the harrowing indictments of war and totalitarianism which engendered the enmity of the National Socialists and made him a champion of anti-Facism.
GEORGE EHRENFRIED GROSZ (AMERICAN/GERMAN,GEORGE EHRENFRIED GROSZ (AMERICAN/GERMAN, 1891 - 1959)S...George Ehrenfried Grosz (American/German, 1891 - 1959) Street Scene with Figures watercolor on paper signed lower right Grosz 12" x 9 1/2" Provenance: Estate of Dr. Thomas & Alice Kugelman, Bloomfield, Connecticut; Gift of the artist to Dr. Bernhard Kugelmann (1900 - 1938), c. 1936, as thanks for bringing his belonging from Germany during the Nazi regime.
Condition:
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Chaim Gross (1904-1991 New York/Massachusetts/Austria)Chaim Gross (1904-1991 New York/Massachusetts/Austria) Kneeling Nude Women
Bruno Krauskopf (German, 1892-1960),Bruno Krauskopf (German, 1892-1960), Abstract with Figur
George Grosz (German 1893-1959)George Grosz (German 1893-1959) Recalling the Time of the Three Soldiers 1942 ink on paper signed George Grosz and dated (lower right) 22 1/2 x 14 1/2 inches.
CHAIM GROSS (NEW YORK/MASSACHUSETTS/AUSTRIA/POLAND,CHAIM GROSS (NEW YORK/MASSACHUSETTS/AUSTRIA/POLAND, 1904-1991), FIGURAL STUDY., CHARCOAL ON PAPER, 17" X 10" SIGHT. FRAMED 24" X 17".CHAIM GROSS, New York/Massachusetts/Austria/Poland, 1904-1991, Figural study. Signed lower right "Chaim Gross". Dimensions: Charcoal on paper, 17" x 10" sight. Framed 24" x 17".
GEORGE GROSZ (GERMAN, 1891-1959)GeorgeGEORGE GROSZ (GERMAN, 1891-1959)George Grosz (German, 1891-1959) , "Dunes and Grass", drypoint etching on paper, pencil-signed lower right, sheet 13 1/8 in. x 16 1/4 in., framed . Ill.: Dückers, Alexander. George Grosz: Das Druckgraphishe Werk. Catalogue Raisonné. San Francisco: Alan Wofsy Fine Arts, 1995, pl. E109 II/II
GROSZ GEORGE George Grosz. 30 DrawingsGROSZ GEORGE George Grosz. 30 Drawings and Watercolors. New York: Erich S. Herrmann 1944. Folio publisher's printed boards spiral-bound. Inscribed on the title page and painted over by Grosz with blue paint. Minor fading to boards; crease to rear board.
GEORGE GROSZ (GERMAN, 1893-1959)GEORGE GROSZ (GERMAN, 1893-1959) KUNSTLER UND MODELL WATERCOLOR, REED PEN AND PEN AND INK ON PAPER: 23 X 17 1/4 IN.Framed; lower right signed: Grosz; Watercolor, reed pen and pen and ink on paper: 23 x 17 1/4 in. Provenance: Studio of artist, Berlin, executed in 1928. Artist's property in USA, 1933-1957. Libauer family private collection, Baltimore, Maryland , 1957-present
Chaim Gross (New York/Massachusetts/Austria,Chaim Gross (New York/Massachusetts/Austria, 1904-1991) "Pier Mont, N.Y", 1922, signed lower right "Chaim Gross" and titled and dated with artist's device, watercolor over pencil on illustration board, 9 x 12 in.; gilt wood frame,
GEORGE GROSZ. "DER MENSCH IST GUT,"GEORGE GROSZ. "DER MENSCH IST GUT," OFFSET LITHOGRAPH (German, 1893-1958). Offset photolithograph, 1921, plate XII from Ecce Homo, sight size: 11 1/2 x 8 1/2 in., framed.
GEORGE GROSZ (GERMAN, 1893-1959)GEORGE GROSZ (GERMAN, 1893-1959) BOCKBIER, 1929 WATERCOLOR, REED PEN AND PEN AND INK ON PAPER: 18 X 24 1/2 IN.Framed, lower left signed and dated: Grosz, 1929; Watercolor, reed pen and pen and ink on paper: 18 x 24 1/2 in. Provenance: Studio of artist, Berlin, executed in 1929. Artist's property in the USA, 1933-1957. Libauer family private collection, Baltimore, Maryland 1957-present
Theodor Axentowicz (Polish-ArmenianTheodor Axentowicz (Polish-Armenian 1859-1938) A procession. Pastel and gouache on board signed near the lower left apprx. 26" x 18" framed overall apprx. 32-3/4" x 24-3/4" without glass. A Large Polish government wax seal is affixed to the back. Also written on the back is the artist's name and dates and "Atelier Carolus Duran" though the connection of this piece with Carolus Duran is not known.
George Grosz (German 1893-1959)George Grosz (German 1893-1959) The Road Back 1915 watercolor and ink on paper signed Grosz and dated (lower right) 11 1/4 x 8 3/4 inches.
AAGE SCHADAAGE SCHAD
Andreas Roth (California, 1872-1949),Andreas Roth (California, 1872-1949), D
Ashby (20th century) Portrait ofAshby (20th century) Portrait of Ferdinand Schaefer Woodcut Pencil signed and titled lower margin. Dedication and signature of Ferdinand Schaefer verso. 12" x 7"
ANTHONY GROSS, ETCHINGEtching withANTHONY GROSS, ETCHINGEtching with aquatint by Anthony Gross (British, 1905-1984). Figures playing muscal instruments. Pencil signed, titled "Tuba Player" and limited (42/50) in lower margin. Very good conditon.Minor damp stain at base of matting. Plate size is 15" x 18", framed to 25" x 28". shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
DANIEL GROESBECK (1878-1950): FOURDANIEL GROESBECK (1878-1950): FOUR WORKSDaniel Groesbeck (1878-1950): Four Works, each: color monoprint on paper, pencil-signed and titled to lower margin; each depicting a Tibetan figure, comprising "Street Story Teller", "Hot Rice", "Street Beggar", and "Dancing Girl" Dimensions: Each image: 13 1/4 x 13 1/4 in. (33.7 x 33.7 cm.), Frame: 23 x 20 1/2 in. (58.4 x 52.1 cm.) Provenance: Property from J. J. Blick's Lukenheimer House, Pasadena, California Condition:
Dreizehnlinden by F. W. Weber Publisher:Dreizehnlinden by F. W. Weber Publisher: Ferdinand Schoninghca. 1890. Green pictorial cloth embossed w/gilt, AEG, beveled boards, and delicately patterned, gilt endpapers Illustrated by Karl Rickert.
CHRISTIAN BOLTANSKI (b. 1944):CHRISTIAN BOLTANSKI (b. 1944): THE SCHOOL OF GROSSE HAMBURGERSTRASSE BERLIN Eight photogravures on paper 16 1/4 x 11 1/4 in. Provenance: Marion Goodman Gallery NY.
Hap Grieshaber (German, 1909-1981),Hap Grieshaber (German, 1909-1981), Rabbi, 1964, edition 114/210, Manus Presse (blindstamp lower left), signed lower right "Grieshaber" and titled lower left, color woodblock on paper, 29-1/4 x 34-1/2 in. (page); black-painted frame,
[ART] Schiele, Kirchner and Grosz.
[ART] Schiele, Kirchner and Grosz.
Estimate:$300-$500
GEORGE GROSZ, ELABORATE SIGNATUREGEORGE GROSZ, ELABORATE SIGNATURE DESIGN George Grosz (German, 1893-1959), "George Grosz", 1959, ink on paper, gallery label verso, 5"h x 8"w (sight), 10.5"h x 12.5"w (frame)
GROSZ George (German 1893-1959):GROSZ George (German 1893-1959): Zu Hause (Pappi und Mammi) Lithograph 23 1/2'' x 18'' sight size framed and matted 31'' x 25'' signed numbered 20.CONDITION: Some mat burn
ELIAS S. MANDEL GROSSMAN (AMERICANELIAS S. MANDEL GROSSMAN (AMERICAN 1898-1947), RABBI, ETCHING, FRAME: 19 X 15 INElias S. Mandel Grossman (American 1898-1947), Rabbi, Etching, Frame: 19 x 15 in
DANIEL GROSSBECK (1878 - 1950)DANIEL GROSSBECK (1878 - 1950) : PORTRAIT OF A CHIEFwoodblock signed lower right 12 1/2 x 13 1/2 inches sight Condition:
CHAIM GROSS, NEW YORK, MASSACHUSETTSCHAIM GROSS, NEW YORK, MASSACHUSETTS / AUSTRIA, POLAND (1904 - 1991), BALANCING, 1967, LITHOGRAPH, 11 3/8"H X 14 7/8"W (SIGHT), 13 3/4"H X 18"W (MAT)Chaim Gross, New York, Massachusetts / Austria, Poland, (1904 - 1991) Balancing, 1967, lithograph Numbered 12/250 lower left, titled lower middle, signed lower right. Biography from the Archives of askART: The Chaim Gross Studio Museum, located in Greenwich Village, was founded in 1989 with the mission to collect, preserve, display, and interpret in an historical context Chaim Gross's art and to foster an understanding of how artists live and work. The selection of works on view demonstrates the contiunity of Gross's personal vision over seven decades: the figure in repose, acrobats, mother and child groupings, and religious Jewish imagery predominate. Although his favorite subjects remained constant, their variations were boundless. The Chaim Gross Studio Museum, housed in the artist's former home and studio, is operated under the auspices of the Renee and Chaim Gross Foundation. During their lifetimes, the artist and his wife contributed art, their home and financial support. The Museum hopes to continue their efforts by acquiring additional works through donations. At the Chaim Gross Studio Museum the visitor can examine the artist's work in special gallery settings as well as see where the artist originally worked. On the first floor is an array of his wood and stone carvings ranging from the early 1920s to his final wood sculpture of 1988--89. Also on view is the artist's studio as it looked when Gross was alive. Beneath the skylight the visitor can see his tools, an unfinished carving still in a vise and on surrounding shelves examples of his portrait busts and preparatory maquettes. On the second floor are displayed his later bronzes, as well as changing installations devoted to his watercolors and drawings. Informal gallery talks for groups of all ages can now be accommodated. Future plans include lectures, films, videos and workshop demonstrations, as well as traveling exhibitions of the artist's work. The Museum promotes scholarly research and encourages graduate students to prepare theses and doctoral dissertations on the life and work of Chaim Gross, maintains a research library, as well as archives relating to the art of Chaim Gross and the collections that he and his wife, Renee, assembled during their fifty-nine year marriage. Catalogues raisonne of the works on paper, and the sculpture, currently are in progress. Text prepared by April J. Paul, Curator Source: The Chaim Gross Studio Museum, //americanart.si.edu/exhibitions/online/gross/gross-noframe.html?/exhibitions/online/gross/grossmuseum1.html lithograph Dimensions: 11 3/8"H x 14 7/8"W (sight), 13 3/4"H x 18"W (mat)
Gerd Arntz
(German, 1900-1988)
VornehemeGerd Arntz
(German, 1900-1988)
Vorneheme strasse, 1924/79
woodcut
signed, dated, titled, and numbered 2/20 in pencil
10 1/2 x 15 1/4 inches.
Property From the Estate of Lucia Woods Lindley
Chaim Gross (1904-1991 New YorkChaim Gross (1904-1991 New York NY) Standing Nude
ELIAS MANDEL GROSSMAN (AMERICAN,ELIAS MANDEL GROSSMAN (AMERICAN, 1898-1947), “SELF-PORTRAIT (RIGHT PROFILE”, C. 1930, ETCHING AND DRYPOINT WITH SPIT AQUATINT, DEPICTS THE ARTIST AS A MIDDLE-AGED MAN WITH MUSTACHE IN PROFILE, ED: UNKNOWN, PROBABLY 30...Elias Mandel Grossman (American, 1898-1947), "Self-Portrait (Right Profile", c. 1930, etching and drypoint with spit aquatint, depicts the artist as a middle-aged man with mustache in profile, ed: unknown, probably 30 or fewer, signed with pencil lower right, signed in the plate lower right, printed by the artist in black ink by the artist on cream laid paper with complete margins, unframed, hinged to mat under clear cover, wear consistent with age including toning, paper size: 12 3/4" h. x 9 3/4" w.
HANS ZATZKA (AUSTRIAN 1859-1945)
SPRINGTIMEHANS ZATZKA (AUSTRIAN 1859-1945)
SPRINGTIME GARLAND Signed with the pseudonym J. Bernard, oil on panel56cm x 36cm (22in x 14in)Provenance: The Bellamy Collection, County Down, Northern Ireland
GROSS Chaim. 2 Works on Paper ofGROSS Chaim. 2 Works on Paper of Figures.1961 ink wash and pencil of a nude - signed and dated lower right 12.75'' high x 7.5'' wide. 1962 watercolor of two figures - signed and dated lower right 15'' high x 10.5'' wide. Chaim Gross Austrian-American 1904 - 1991. From a Stamford CT estate. Condition: Both in good overall condition not examined out of frames. Nude is slipping from mat.